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==For Your Eyes Only== Production of ''For Your Eyes Only'' begun on 2 September 1980 in the North Sea, with three days shooting exterior scenes with the ''St Georges''.〔 The interiors were shot later in Pinewood Studios, as well as the ship's explosion, which was done with a miniature in Pinewood's tank on the 007 Stage. On 15 September principal photography started in Corfu at the Villa Sylva at Kanoni, above Corfu Town, which acted as the location of the Spanish villa. Many of the local houses were painted white for scenographic reasons. Glen opted to use the local slopes and olive trees for the chase scene between Melina's Citroën 2CV and Gonzales' men driving Peugeot 504s.〔 The scene was shot across twelve days, with stunt driver Rémy Julienne – who would remain in the series up until ''GoldenEye'' – driving the Citroën. Four 2CVs were used, with modifications for the stunts – all had more powerful flat-four engines, and one received a special revolving plate on its roof so it could get turned upside down. In October filming moved to other Greek locations, including Meteora and the Achilleion. In November, the main unit moved to England, which included interior work in Pinewood, while the second unit shot underwater scenes in The Bahamas. On 1 January 1981, production moved to Cortina D'Ampezzo in Italy, where filming wrapped on February.〔 Since it was not snowing in Cortina D'Ampezzo by the time of filming, the producers had to pay for trucks to bring snow from nearby mountains, which was then dumped in the city's streets. Many of the underwater scenes, especially involving close-ups of Bond and Melina, were actually faked on a dry soundstage. A combination of lighting effects, slow-motion photography, wind, and bubbles added in post-production, gave the illusion of the actors being underwater. Actress Carole Bouquet reportedly had a pre-existing health condition that prevented her from performing actual underwater stunt work.〔 Actual aquatic scenes were done by a team led by Al Giddings, who had previously worked in ''The Deep'', and filmed in either Pinewood's tank on the 007 Stage or an underwater set built in the Bahamas. Production designer Peter Lamont and his team developed two working props for the submarine Neptune, as well as a mock-up with a fake bottom. Roger Moore was reluctant to film the scene of Bond kicking a car, with Locque inside, over the edge of a cliff, saying that it "was Bond-like, but not Roger Moore Bond-like."〔 Michael G. Wilson later said that Moore had to be persuaded to be more ruthless than he felt comfortable. Wilson also added that he and Richard Maibaum, along with John Glen, toyed with other ideas surrounding that scene, but ultimately everyone, even Moore, agreed to do the scene as originally written.〔 For the Meteora shoots, a Greek bishop was paid to allow filming in the monasteries, but the uninformed Eastern Orthodox monks were mostly critical of production rolling in their installations. After a trial in the Greek Supreme Court, it was decided that the monks' only property were the interiors – the exteriors and surrounding landscapes were from the local government. In protest, the monks remained shut inside the monasteries during the shooting,〔〔 and tried to sabotage production as much as possible, hanging their washing out of their windows and covering the principal monastery with plastic bunting and flags to spoil the shots, and placing oil drums to prevent the film crew from landing helicopters. The production team solved the problem with back lighting, matte paintings, and building both a similar scenographic monastery on a nearby unoccupied rock, and a monastery set in Pinewood. Roger Moore said he had a great fear of heights, and to do the climbing in Greece, he resorted to moderate drinking to calm his nerves.〔 Later in that same sequence, Rick Sylvester, a stuntman who had previously performed the pre-credits ski jump in ''The Spy Who Loved Me'', undertook the stunt of Bond falling off the side of the cliff. The stunt was dangerous, since the sudden stop at the bottom could be fatal. Special effects supervisor Derek Meddings developed a system that would dampen the stop, but Sylvester recalled that his nerves nearly got the better of him: "From where we were (), you could see the local cemetery; and the box (stop my fall ) looked like a casket. You didn't need to be an English major to connect the dots." The stunt went off without a problem.〔 Bond veteran cameraman and professional skier Willy Bogner, Jr. was promoted to director of a second unit involving ski footage.〔 Bogner designed the ski chase on the bobsleigh track of Cortina d'Ampezzo hoping to surpass his work in both ''On Her Majesty's Secret Service'' and ''The Spy Who Loved Me''.〔 To allow better filming, Bogner developed both a system where he was attached to a bobsleigh, allowing to film the vehicle or behind it,〔 and a set of skis that allowed him to ski forwards and backwards in order to get the best shots. In February 1981, on the final day of filming the bobsleigh chase, one of the stuntmen driving a sleigh, 23-year-old Paolo Rigon, was killed when he became trapped under the bob. The pre-credits sequence used a church in Stoke Poges as a cemetery, while the helicopter scenes were filmed at the abandoned Beckton Gas Works in London.〔 The gas works were also the location for some of Stanley Kubrick's 1987 film, ''Full Metal Jacket''. Director John Glen got the idea for the remote-controlled helicopter after seeing a child playing with an RC car.〔 Since flying the helicopter through a warehouse was too dangerous, the scene where the vehicle enters was done through forced perspective – stunt pilot Marc Wolff drove besides the building, making it seem as if the helicopter was entering a smaller mock-up built by Derek Meddings' team which was closer to the camera – while the footage inside the building was shot on location, though with a life-sized helicopter model which stood over a rail. Stuntman Martin Grace stood as Bond when the agent is dangling outside the flying helicopter, while Roger Moore himself was used in the scenes inside the model. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Filming of James Bond in the 1980s」の詳細全文を読む スポンサード リンク
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